The Bad Girls of Gotham and Their New Schemes for Man-Catching.
Elevating the Fantastic Toe.
The "Sawed-Door Game" on a Gudgeon.
How two Dizzy Girls Advertised Their Charms and Political Faith.
How the gilded vice of the metropolis fishes for its victims in the public streets, and innocent confidence is trapped by the fine feathers which disguise foul birds.
Members of the New Orleans Demi-Monde Enjoying an Excursion to the Suburbs of the Southern Metropolis.
Buffalo, New York, May 1893.

New York, New York, 1894 - An unruly horse causes great excitement in the Metropolitan Opera House, this city.
Panic reigned for a few minutes the other afternoon upon the stage of the Metropolitan Opera House, New York, during the representation of "Carmen." It was due to an unruly horse, one of the number which make such an effect in the stage picture of the last act.
When the mounted Alguasil made his appearance, just before the entry of the toreador, his steed began to show that it was in very high spirits, to the uneasiness of the chorus, who felt they were closer than was absolutely safe.
Skillfully curbing the animal, the Alguazil, a Dane named Nyegaard, rode to the center of the stage. There the horse grew so Unruly that Mr. Nyegaard was compelled to rein it sharply, which made it rear on its hind legs right in the midst of the choristers. The chorus scattered right and left and two chorus women took a flying leap into a portion of the audience.
One of the women scrambled back onstage immediately, but the other, of heavy build, had to be assisted back by a couple of her mates and an usher, while the audience laughed heartily. During the hubbub Signor Bevignani continued conducting with as much gravity and composure as though it was all an everyday happening.
Reprinted from The National Police Gazette - February 17, 1894


