Two of the charming girls who pose as "living pictures" in Rice's "1492" have a wordy war, which ends in a hand-to-hand conflict.

It may have been notice by some who were in the audience at the Garden Theatre, in New York city, on a recent night that one of the ladies who appeared in several of the “living pictures” was in a very nervous and apparently almost tearful condition.

The lady was Miss Nana Walsh, who besides posing in the pictures is a member of the “1492” chorus, and according to the story told by some of the other who were behind the scenes at the time, she had very good cause to be nervous and tearful. While the preparations for the living pictures were being made a great commotion suddenly arose in one o the dressing rooms. It was found that Miss Walsh and another chorus girl, Miss Kitty Connors, were indulging in a fight. What the quarrel was about no one could learn, but before the girls could be separated, Miss Connors, who is much the larger of the two, had blackened bother her rival’s eyes, besides otherwise marring her beauty.

National Police Gazette, September 22,1894.

Here's a young girl of romantic temperament who yet would not sit like Patience on a monument smiling at grief or plan In a green and yellow melancholy until her lover made up his mind to declare his earnest intentions. Oh, no; she was one of your right sort who didn't believe in picking a rose to pieces leaf by leaf in a garden while interrogating blind lock whether he loved her or loved her not. She Was a New Orleans girl and her name was Marie Ravineau. He was a home pointer and a good hearted fellow, with everything admirable about him except that he would not talk right out. His name was Henry L. Jackson.

Well, on the 30th ult., Henry was sitting on a swinging scaffold made by a horizontally placed ladder hung from the roof by ropes attached to either end. He was painting the front of a four story home. Marie went up to that roof, swung herself down the rope to the ladder and with a knife began to hack at the ropes.

“Does he love me?” said she, "Oh, say you do.”

But Henry didn't cackle worth a cent. Then she Out a strand of the rope, sayIng, "He loved me," then another strand, "He loves me not," and thus alternating her assertions until there remained but one little strand. Then the painter eagerly protested his love, and she fell in his arms. The last strand broke, and the pair clutching the rounds of the now vertical ladder were suspended inn mld-air ten minutes before they could be released.

The painter’s,mind seems quite unbalanced by the shock but Marie vows they shall not commit him to the lunatic asylum until she is married. That's what she started out to do and she's going to accomplish it. That's a woman that trifles will not throw off, you bet.

National Police Gazette, June 10, 1882.