"The Witches' Cove," Follower of Jan MandijnWelcome to this week's Link Dump!This seemed like a suitably Strange Company way to anticipate Thanksgiving.Al Capone and greyhound racing.The Meierhoffer murder.A plethora of American dragons.A brief history of olive harvesting.What it was like to be an ancient Roman gladiator.Harvard and the body-snatchers.How mistletoe became associated with
Included in yesterday’s trip to Fall River was a stop at Miss Lizzie’s Coffee shop and a visit to the cellar to see the scene of the tragic demise of the second Mrs. Lawdwick Borden and two of the three little children in 1848. I have been writing about this sad tale since 2010 and had made a previous trip to the cellar some years ago but was unable to get to the spot where the incident occured to get a clear photograph. The tale of Eliza Borden is a very sad, but not uncommon story of post partum depression with a heartrending end. You feel this as you stand in the dark space behind the chimney where Eliza ended her life with a straight razor after dropping 6 month old Holder and his 3 year old sister Eliza Ann into the cellar cistern. Over the years I have found other similar cases, often involving wells and cisterns, and drownings of children followed by suicides of the mothers. These photos show the chimney, cistern pipe, back wall, dirt and brick floor, original floorboards forming the cellar ceiling and what appears to be an original door. To be in the place where this happened is a sobering experience. My thanks to Joe Pereira for allowing us to see and record the place where this sad occurrence unfolded in 1848. R.I.P. Holder, Eliza and Eliza Ann Borden. Visit our Articles section above for more on this story. The coffee shop has won its suit to retain its name and has plans to expand into the shop next door and extend its menu in the near future.
Soapy STAR notebookPage 13 - Original copy1882Courtesy of Geri Murphy(Click image to enlarge)
OAPY SMITH'S STAR NOTEBOOKPart #13 - Page 13
This is page 13, dated 1882, the continuation of deciphering Soapy Smith's "star" notebook from the Geri Murphy's collection. A complete introduction to this notebook can be seen on page 1. Page 13 is a continuation from page 11 and 12, and
An article I recently wrote for the British online magazine, New Politic, is now available online. The article, “The Criminal Origins of the United States of America,†is about British convict transportation to America, which took place between the years 1718 and 1775, and is the subject of my book, Bound with an Iron Chain: […]
There’s a lot to love about Patsy’s, the three-generation family-run restaurant celebrating its 80th year on the far off-Broadway, low-rise block of West 56th Street off Eighth Avenue. This old-school Italian spot offers highly rated red sauce classics, old-school ambiance, and a connection to Frank Sinatra, who considered Patsy’s one of his favorite New York […]
Youth With Executioner by Nuremberg native Albrecht Dürer … although it’s dated to 1493, which was during a period of several years when Dürer worked abroad. November 13 [1617]. Burnt alive here a miller of Manberna, who however was lately … Continue reading →
Cardiff, New York, October 16, 1869 – Workers digging a well behind the barn on the farm of William C. “Stub” Newell unearthed a ten foot four inch stone giant. Word spread quickly and people came by the thousands to view the behemoth and speculate as to its origin. Some said it was a petrified man, citing Genesis 6:4, “There were giants in the earth in those days.” Others believed it was a statue created by earlier inhabitants of New York. The attraction was so strong that even when the stone colossus was revealed to be a hoax people stood in line and paid fifty cents each to view the Cardiff Giant.
The Cardiff Giant was the brainchild of George Hull, a tobacconist from Binghamton, New York. During a visit to his sister in Iowa, he got into a heated argument over the truth of Bible stories. Specifically, he could not understand the belief in Biblical giants and wondered if he could create a stone man and pass it off as a petrified giant. He became so obsessed with the idea that he sold his business and went looking for stone.
He found what he wanted near Port Dodge in Iowa—gray gypsum with bluish streaks that would pass for human veins. Hull bought an acre of land with an outcropping of this stone and hired a force of men to chop out a block 11’ 4” x 3’ 6” x 2’. After an arduous journey by wagon to Boone, Iowa then by train to Chicago, the stone block was handed over to an Italian stonecutter named Salla, who, after being sworn to secrecy, carved the giant man.
The Cardiff Giant
Salla took the work very seriously, cutting away some spots as if the flesh were imperfectly petrified, and using a tool made from a bundle of darning needles over the entire surface to simulate pores in the giant’s skin. When it was done, he poured sulphuric acid over the sculpture to give it the appearance of antiquity. It was packed in an iron box and sent to Union, New York. The entire package weighed 4000 pounds.
Hull chose Cardiff as the burial site because it has an ancient lake bed where fossilized fish and reptiles had been found. He took “Stub” Newell into his confidence and the two men, working late at night buried the giant on Newell’s farm. Hull then went back to cigar making for one year less two weeks before giving Newell instruction to “discover” the giant.
Giant on Display
While Hull was still in the shadows, Newell began charging fifty cents a head to view the Cardiff Giant, now enclosed in a tent behind the barn. He had made at least $7000 before Hull returned to the scene.
The State Geologist and a number of other scientists declared that it was, indeed, a petrified man. John F. Boynton, an early Mormon leader believed it was not a man but a statue carved by French Jesuits in the 16th century to impress the Indians. Among those taken in by the Cardiff Giant and expressing belief in its authenticity were Oliver Wendell Holmes and Ralph Waldo Emerson.
Newell began receiving offers to buy the giant. Seeing that Newell could not be trusted to keep the secret—he had already told several relatives and friends—Hull told him to sell. Newell sold three-fourths interest to Higgins, Gillett & Westcott in Syracuse for $30,000, of which Hull received $20,000 and one-quarter interest. He eventually sold the last quarter and the new owners moved the giant to Syracuse.
Moving the Giant to Syracuse
In Syracuse, the giant received closer scrutiny and Yale paleontologist Othniel C. Marsh declared the Cardiff Giant a clumsy fake. There were fresh chisel marks that would have worn away if the giant had been in the ground any length of time. Having already cashed out, Hull came clean and revealed the giant’s true history. The public didn’t seem to care; they nicknamed the attraction “Old Hoaxey” and continued paying to view it.
Barnum's Copy
At one point showman, P. T. Barnum offered the new owners $60,000 to use the giant for three months. When they refused, Barnum had a German sculptor make him his own Cardiff Giant. The owners tried to sue Barnum, but the judge refused to hear the case because the owners could not prove that their giant was genuine. Soon after there were at least six copies of the Cardiff Giant being exhibited throughout the country.
The Cardiff Giant also inspired a wave of imitators:
The Solid Muldoon, Beulah, Colorado, 1876 – A giant made from clay, ground bones, meat, rock dust, and plaster was also created by George Hull
The Taughannock Giant, Lake Cayuga, 1877 – A stone giant planted by the owner of the Taughanock House Hotel.
“McGinty,” Creede, Colorado, 1892 – A real human body injected with chemicals for preservation and petrification. McGinty was displayed by conman Soapy Smith, primarily to run a shell game on people waiting in line.
Fin McCool, Ireland, 1872 – Salla, the sculptor of the original Cardiff Giant saw the potential of stone giants and began planning his own, including Fin McCool in the north of Ireland.
The Fresno Giant, Fresno, CA, 1890 – Another of Salla’s creations.
The original Cardiff Giant was displayed at the Pan American Exposition in Buffalo, New York, in 1901. It was then purchased by an Iowa publisher for his basement rumpus room. In 1947 he sold it to the Farmers’ Museum in Cooperstown, New York where it is on display today. Barnum’s “fake” Cardiff Giant is on display at Marvin’s Marvelous Mechanical Museum in Farmington Hills, Michigan.
Sources:
Boese, Alex. The museum of hoaxes: a collection of pranks, stunts, deceptions, and other wonderful stories contrived for the public from the Middle Ages to the new millennium. New York, NY: Dutton, 2002.
Costello, J. B.. Swindling exposed from the diary of William B. Moreau, king of fakirs : methods of the crooks explained : history of the worst gang that ever infested this country : names, locations and incidents. Syracuse, N.Y.: J.B. Costello, 1907.
Vance, Arthur T.. The real David Harum: the wise ways and droll sayings of one "Dave" Hannum, of Homer, N.Y., the original of the hero of Mr. Westcott's popular book : how he made and lost a fortune, his many deeds of charity, amusing anecdotes about him. New York: Baker and Taylor Co., 1900.
"We follow vice and folly where a police officer dare not show his head, as the small, but intrepid weasel pursues vermin in paths which the licensed cat or dog cannot enter."
The Sunday Flash 1841