LOOK OUT FOR "SOAPY" SMITHSt. Louis DispatchSeptember 23, 1897(Click image to enlarge)
e reported himself in good health and money." New information showing that Soapy Smith did go to St. Louis to check up on his ailing wife, Mary, after leaving Skagway. Below is the transcription of the article from the St. Louis Dispatch, September 23, 1897.
LOOK OUT FOR “SOAPY” SMITH
The Smooth Man
A few weeks ago, Ephemeral New York put together a post about the former Czech neighborhood once centered around 72nd Street between First and Second Avenues on the Upper East Side. The post generated many comments, with readers either reminiscing about a vanished enclave they remember well or wishing Manhattan still had pockets of ethnic […]
When digital cameras and cell phone cameras became available to all, many visitors at the house on Second Street were surprised to see what appears to be the face of a man with beard which appeared over the wash kettle in the cellar on the chimney wall. Many think what appears bears an uncanny resemblance to Andrew J. Borden. What do you think?
Youth With Executioner by Nuremberg native Albrecht Dürer … although it’s dated to 1493, which was during a period of several years when Dürer worked abroad. November 13 . Burnt alive here a miller of Manberna, who however was lately engaged as a carrier of wine, because he and his brother, with the help of […]
8-year-old Alice Sterling disappeared from the steps in front of her father’s Boston barbershop the afternoon of April 10, 1895. The three-day search for Alice ended at a shallow grave in the floor of a nearby barn. Angus Gilbert, a friend of the Sterling family especially fond of little Alice, lived in a room above the barn. Gilbert was charged with her
Margery WrenUnder normal circumstances, one would expect that anyone who knew they were about to die as the result of a brutal attack would spend every bit of their remaining strength towards bring their murderer to justice. However, the following case proved to be very far from normal. An old woman’s murder, which, at first, seemed fairly simple and straightforward, soon took a puzzling turn
[Editor’s note: Guest writer, Peter Dickson, lives in West Sussex, England and has been working with microfilm copies of The Duncan Campbell Papers from the State Library of NSW, Sydney, Australia. The following are some of his analyses of what he has discovered from reading these papers. Dickson has contributed many transcriptions to the Jamaica Family […]
In August 1842, a sensational new curiosity called the Feejee Mermaid was exhibited at P. T. Barnum’s American Museum in New York City. Though it was advertised throughout the country with pictures of traditional, topless female mermaids, the real Feejee Mermaid looked more like an
unnatural amalgam of dissimilar species. Which, in fact, it was. Instead of seeing an alluring full-sized mermaid of legend, visitors to the museum found a small, taxidermically preserved specimen with the withered head and abdomen of a monkey grafted onto the tail of a fish. It was described by one critic as the “incarnation of ugliness.”
The Feejee Mermaid was not new when Barnum introduced it. The mermaid had been on display for months in a museum in Boston and had been exhibited twenty years earlier in London. It took the showmanship and promotional skill of P. T. Barnum to make the Feejee mermaid a star. In addition to the misleading advertisements, Barnum created the story of Dr. J. Griffin, an English naturalist who captured the mermaid near the island of Feejee.
Not everyone believed in the mermaid’s authenticity. The Feejee Mermaid had as many skeptics as it had avid believers and heated debates went on wherever it as exhibited. P. T. Barnum did not care whether people believed in the mermaid or not, as long as they came to see it. As he (allegedly) said, “The bigger the humbug, the better people will like it.”
Barnum, P. T. Struggles and triumphs, or Forty years' recollections of P.T. Barnum written by himself. Author's ed. Buffalo, N.Y.: Warren, Johnson, 1873.
Boese, Alex. The museum of hoaxes: a collection of pranks, stunts, deceptions, and other wonderful stories contrived for the public from the Middle Ages to the new millennium. New York, NY: Dutton, 2002.